Tourism is the chance to go and see what has been made trite… the same modernization that has deprived travel of its temporal aspect has likewise deprived it of the reality of space.

…in the case where the self is merely represented and ideally presented (vorgestellt), there it is not actual: where it is by proxy, it is not.   -Hegel, Phenomenology of Mind

The historical moment when Bolshevism triumphed for itself in Russia and social democracy fought victoriously for the old world marks the inauguration of the state of affairs that is at the heart of the modern spectacle’s domination: the representation of the working class has become an enemy of the working class.

Economic growth has liberated societies from the natural pressures that forced them into an immediate struggle for survival; but they have not yet been liberated from their liberator. The commodity’s independence has spread to the entire economy it now dominates. This economy has transformed the world, but it has merely transformed it into a world dominated by the economy.

spectacolul este visul urat al societatii moderne incatusate, care nu e, in cele din urma, decat expresia dorintei sale de a dormi. spectacolul e paznicul acestui somn.

The spectacle is a social relation between people that is mediated by an accumulation of images that serve to alienate us from a genuinely lived life. The image is thus an historical mutation of the form of commodity fetishism.

The language of the spectacle consists of signs of the dominant system of production – signs which are at the same time the ultimate end-products of that system.

With the generalized separation of the worker and his products, every unitary view of accomplished activity and all direct personal communication among producers are lost.

In societies dominated by modern conditions of production, life is presented as an immense accumulation of spectacles. Everything that was directly lived has receded into a representation.

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