When you think about new-born babies being killed in our own lifetime,’ he said, ‘all the efforts of culture seem worthless. What have people learned from all our Goethes and Bachs? To kill babies?
The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life. Since man is mortal, the only immortality possible for him is to leave something behind him that is immortal since it will always move.
Man screams from the depths of his soul; the whole era becomes a single, piercing shriek. Art also screams, into the deep darkness, screams for help, screams for the spirit. This is Expressionism.
Random thoughts that fly away.
Where words has no place to stay.
Let it be right where they are.
Let the work of art preserve its life.
I believe that architecture is a pragmatic art. To become art it must be built on a foundation of necessity.
Growing up in NYC,The broken sidewalks, graffiti filled subways, and humid Laundromats, did not offer solace. I found solace in the strings of my violin, in my ballet slippers at the studio, and while gazing at frescoes in the halls of the Metropolitan Museum of Art. It was always in the Arts that my soul was replenished.
I do strongly feel that among the greatest pieces of luck for high achievement is ordeal. Certain great artists can make out without it, Titian and others, but mostly you need ordeal. My idea is this: the artist is extremely lucky who is presented with the worst possible ordeal which will not actually kill him. At that point, he’s in business: Beethoven’s deafness, Goya’s deafness, Milton’s blindness, that kind of thing.
Teater menciptakan getaran-getaran pada setiap segmen peristiwa di atas pentas, getaran itu di serap penonton dan di simpan dalam dirinya. Getaran itu seperti sinyal atau kode yang disalurkan oleh setiap pementasan-pementasan teater. penonton di paksa memelihara getaran itu sampai dia merasakan kehilangan dan mengambilnya kembali pada setiap pementasan.
When you forget about the how, go back to the why.
We’re all pros already. 1) We show up every day 2) We show up no matter what 3) We stay on the job all day 4) We are committed over the long haul 5) The stakes for us are high and real 6) We accept remuneration for our labor 7) We do not overidentify with our jobs 8 ) We master the technique of our jobs 9) We have a sense of humor about our jobs 10) We receive praise or blame in the real world