I do strongly feel that among the greatest pieces of luck for high achievement is ordeal. Certain great artists can make out without it, Titian and others, but mostly you need ordeal. My idea is this: the artist is extremely lucky who is presented with the worst possible ordeal which will not actually kill him. At that point, he’s in business: Beethoven’s deafness, Goya’s deafness, Milton’s blindness, that kind of thing.

A person has to be too much selfish to fulfill own wish of being surrounded by many people often, else s/he feels suffocated due to hatred or hidden jealousy from the most public around her/him.

We are uniquely magnificent!

I do believe most curators – maybe I’m only speaking for myself here – want to be artists on some level. Curators must have an innate interest in what an artist makes. And they certainly have their opinions and criticisms, and the always ask, “How would I have made this, or how would another artist make this?

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