The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail.

writing is like being in love. You never get better at it or learn more about it. The day you think you do is the day you lose it. Robert Frost called his work a lover’s quarrel with the world. It’s ongoing. It has neither a beginning nor an end. You don’t have to worry about learning things. The fire of one’s art burns all the impurities from the vessel that contains it.

To return to antiquity [in literature]: that has been done. To return to the Middle Ages: that too has been done. Remains the present day. But the ground is shaky: so where can you set the foundations? An answer to this question must be found if one is to produce anything vital and hence lasting. All this disturbs me so much that I no longer like to be spoken to about it.

She was a beautiful dreamer. The kind of girl, who kept her head in the clouds, loved above the stars and left regret beneath the earth she walked on.

As soon as you start writing, even if it is under your real name, you start to function as somebody slightly different, as a “writer”. You establish from yourself to yourself continuities and a level of coherence which is not quite the same as your real life… All this ends up constituting a kind of neo-identity which is not identical to your identity as a citizen or your social identity, Besides you know this very well, since you want to protect your private life.

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